The authors consider the paintings, photographs, drawings, and sculpture produced by artists in James’s circle, assess how his pictorial aesthetic developed, and discuss why he destroyed so many personal documents and what became of those that survived. In examining works by figures such as John La Farge, Hendrik Andersen, and John Singer Sargent alongside selections from James’s novels, personal letters, and travel writings, Tóibín, Simpson, and Kiely explore the artistic and social milieu in which James lived and out of which he created his fiction. They also show him to be a writer with a painterly eye for colors and textures, shapes, and tastes, and for the blending of physical and psychological impressions. In many cases, the characters populating James’s fiction are ciphers for his artist friends, whose demeanor and experiences inspired James to immortalize them on the page. He also wrote critically about art, most notably the work of his friend John Singer Sargent.
A refreshing new perspective on the work of a master novelist who was greatly nourished by his friendships with artists, Henry James and American Painting reveals a James whose literary imagination seemed most at ease with the image, the nuance of light and shade, and the artistry of creating fully realized portraits of his characters.
By Colm Tóibín, Marc Simpson, and Declan Kiely
Published by Penn State University Press, 2017
8 x 0.8 x 10 inches