Collection Spotlight: El Jaleo
John Singer Sargent’s monumental painting, based on drawings he made in southern Spain in 1879, is named for an Andalusian dance and is roughly translated as “the ruckus.” This is a painting you can hear as well as see: heels clicking, fingers snapping, hands clapping, the sounds of singing and guitars. Our collection of gifts honors our favorite aspects of Sargent's work.
El Jaleo Ornament
$16.95
During his travels in Spain in 1879, John Singer Sargent was mulling over a major work of art in which he could express his love of Gypsy music, dance, and picturesque costumes. On his return to Paris he set to work on a wide horizontal picture whose proportions simulated the shallow stage space of popular musical establishments. He named the painting El Jaleo to suggest the name of a dance, the jaleo de jerez, while counting on the broader meaning jaleo, which means ruckus or hubbub.The painting was exhibited at the Paris Salon of 1882 with the more explicit title El Jaleo: Danse des gitanes (Dance of the Gypsies). The painting was purchased by American businessman and diplomat T. Jefferson Coolidge in 1882, and was given to Mrs. Gardner as a gift in 1914. Then, as now, El Jaleo resides in the Spanish Cloister of the Gardner Museum, just off the famous Courtyard.
This ornament captures the central figure of Sargent's work, the semi-veiled flamenco dancer, in fluid motion with her skirt in one hand while the other flourishes with the music. Have Sargent's El Jaleo dancer gracefully twirl her way onto your Christmas tree this holiday season!
Ornaments of other subjects, artists, authors, and notable figures inspired by Isabella and the Museum are also available. Click here to explore our Ornament Collection!
Measures 2.5" x 4"
John Singer Sargent Ornament
$16.95
This ornament of Gardner's friend and 19th-century artist John Singer Sargent comes from a print by John Templeman Coolidge of Sargent painting in the Museum's Gothic Room.John Singer Sargent was the first artist-in-residence at the Isabella Stewart Gardner Museum. During the month of April 1903 he slept in a guest room (now called the Macknight Room) and created new works of art in his temporary studio, the Gothic Room.
John Templeman Coolidge, an artist and friend of Isabella’s, took several photographs of Sargent painting the portrait of Gretchen Osgood Warren and her daughter Rachel in the Gothic Room. These candid pictures show Sargent in a whirl of activity with brush and palette in hand—and a cigarette in his mouth.
Ornaments of other subjects, artists, authors, and notable figures inspired by Isabella and the Museum are also available. Click here to explore our Ornament Collection!
Measures 1.5" x 5.5"
El Jaleo Puzzle
$26.00
El Jaleo
1882
John Singer Sargent, American, 1856-1925
Images like El Jaleo lean toward the daring, risky, unconventional, dramatic, erotically off-center, and odd. Because nomadic groups were believed to ignore ethical principles and exalted superstition over orthodox religion, they endured oppression in numerous countries during the nineteenth century, but artists and bohemians idealized them as free spirits. Bizet's opera Carmen, first performed in Paris in 1875, scandalized the public with its tale of a proud, lusty Andalusian protagonist torn between an army officer and a toreador.
During his travels in Spain in 1879, Sargent was mulling over a major work of art in which he could express his love of Romani music, dance, and picturesque costumes. On his return to Paris, he set to work on a wide horizontal picture whose proportions simulated the shallow stage space of popular musical establishments. He named the painting El Jaleo to suggest the name of a dance, the jaleo de jerez, while counting on the broader definition of jaleo, which includes ruckus or hubbub. The painting was exhibited at the Paris Salon of 1882 with the more explicit title El Jaleo: Danse des gitanes (Dance of the Gypsies).
The best evidence of his own excited reactions to live dance performances can be found in the pencil sketches of a Spanish woman that he included in an album assembled for Isabella Stewart Gardner. They are among his fastest, most intuitive works. In one drawing, a torrent of fast hard lines suggests the twisting shawl from which a majestic neck and outstretched vamping arms emerge.
This 300 piece puzzle features John Singer Sargent's El Jaleo, displayed prominently in the Spanish Cloister at Fenway. The puzzle comes in a paperboard box featuring Sargent's work, so you can safely store your puzzle.
Puzzle measure 11 x 17 inches
300 pieces
Ruckus Tea
$16.00
Inspired by John Singer Sergeants masterwork El Jaleo, this energetic blend of Ceylon and Chinese black teas is enhanced with dried Seville oranges and lemons and enhanced with the heady aroma of oil of Bergamot from the Mediterranean coast of Italy. The addition of bright blue cornflowers, lime leaves, and rose petals makes for a colorful pallet of tea that is as beautiful as it is delicious.This tea comes from our collection of loose teas inspired by the Museum and blended by Elmwood Inn Fine Teas.
Ingredients: Black teas from Sri Lanka and China, orange peel, lemon peel, oil of Bergamot, cornflowers, lime leaves, rose petals
NET WT. 3.5 oz (100G)
Sargent Notecard Set
$24.95
Isabella Stewart Gardner and John Singer Sargent were longtime friends and mutual art lovers. The Museum's collection features an array of works by the artist.
This set of eight note cards with envelopes showcases different works in the collection by Sargent.
Works featured include:
- El Jaleo, 1882
- Isabella Stewart Gardner, 1888
- Madam Gautreau Drinking a Toast, 1882-1883
- Charles Martin Loeffler, 1903
- A Tent in the Rockies, about 1916
- Incensing the Veil, 1880
- Santa Maria della Salute, Venice, 1903-1907
- San Giuseppe di Castello, Venice, about 1903
6.25 x 4.75 inches box
El Jaleo Magnet
$6.00
El Jaleo1882
John Singer Sargent, American, 1856-1925
Images like El Jaleo lean toward the daring, risky, unconventional, dramatic, erotically off-center, and odd. Because nomadic groups were believed to ignore ethical principles and exalted superstition over orthodox religion, they endured oppression in numerous countries during the nineteenth century, but artists and bohemians idealized them as free spirits. Bizet's opera Carmen, first performed in Paris in 1875, scandalized the public with its tale of a proud, lusty Andalusian protagonist torn between an army officer and a toreador.
During his travels in Spain in 1879, Sargent was mulling over a major work of art in which he could express his love of Romani music, dance, and picturesque costumes. On his return to Paris, he set to work on a wide horizontal picture whose proportions simulated the shallow stage space of popular musical establishments. He named the painting El Jaleo to suggest the name of a dance, the jaleo de jerez, while counting on the broader definition of jaleo, which includes ruckus or hubbub. The painting was exhibited at the Paris Salon of 1882 with the more explicit title El Jaleo: Danse des gitanes (Dance of the Gypsies).
The best evidence of his own excited reactions to live dance performances can be found in the pencil sketches of a Spanish woman that he included in an album assembled for Isabella Stewart Gardner. They are among his fastest, most intuitive works. In one drawing, a torrent of fast hard lines suggests the twisting shawl from which a majestic neck and outstretched vamping arms emerge.
2.5 x 3.5 inches
Made in the USA
El Jaleo Enamel Pin
$10.00
During his travels in Spain in 1879, John Singer Sargent was mulling over a major work of art in which he could express his love of Gypsy music, dance, and picturesque costumes. On his return to Paris he set to work on a wide horizontal picture whose proportions simulated the shallow stage space of popular musical establishments. He named the painting El Jaleo to suggest the name of a dance, the jaleo de jerez, while counting on the broader meaning jaleo, which means ruckus or hubbub.
The painting was exhibited at the Paris Salon of 1882 with the more explicit title El Jaleo: Danse des gitanes (Dance of the Gypsies). The painting was purchased by American businessman and diplomat T. Jefferson Coolidge in 1882, and was given to Mrs. Gardner as a gift in 1914. Then, as now, El Jaleo resides in the Spanish Cloister of the Gardner Museum, just off the famous Courtyard.
This enamel pin captures the central figure of Sargent's work, the semi-veiled flamenco dancer, in fluid motion with her skirt in one hand while the other flourishes with the music. Have Sargent's El Jaleo dancer gracefully twirl her way onto your ensemble!
Measures 1.5" x .1.25"
Made of enamel and stainless steel
El Jaleo Eyeglass Case
$20.00
El Jaleo1882
John Singer Sargent, American, 1856-1925
Images like El Jaleo lean toward the daring, risky, unconventional, dramatic, erotically off-center, and odd. Because nomadic groups were believed to ignore ethical principles and exalted superstition over orthodox religion, they endured oppression in numerous countries during the nineteenth century, but artists and bohemians idealized them as free spirits. Bizet's opera Carmen, first performed in Paris in 1875, scandalized the public with its tale of a proud, lusty Andalusian protagonist torn between an army officer and a toreador.
During his travels in Spain in 1879, Sargent was mulling over a major work of art in which he could express his love of Romani music, dance, and picturesque costumes. On his return to Paris, he set to work on a wide horizontal picture whose proportions simulated the shallow stage space of popular musical establishments. He named the painting El Jaleo to suggest the name of a dance, the jaleo de jerez, while counting on the broader definition of jaleo, which includes ruckus or hubbub. The painting was exhibited at the Paris Salon of 1882 with the more explicit title El Jaleo: Danse des gitanes (Dance of the Gypsies).
The best evidence of his own excited reactions to live dance performances can be found in the pencil sketches of a Spanish woman that he included in an album assembled for Isabella Stewart Gardner. They are among his fastest, most intuitive works. In one drawing, a torrent of fast hard lines suggests the twisting shawl from which a majestic neck and outstretched vamping arms emerge.
This beautiful hardshell eyeglass case features the painting El Jaleo by John Singer Sargent. The work's tombstone information is printed in silver on the inside of the case. The plush black lining and included microfiber cloth and will keep your glasses safe and smudge-free.
6.5 x 1.5 x 3 inches
El Jaleo Scarf
Sold Out
El Jaleo
1882
John Singer Sargent, American, 1856-1925
Images like El Jaleo lean toward the daring, risky, unconventional, dramatic, erotically off-center, and odd. Because nomadic groups were believed to ignore ethical principles and exalted superstition over orthodox religion, they endured oppression in numerous countries during the nineteenth century, but artists and bohemians idealized them as free spirits. Bizet's opera Carmen, first performed in Paris in 1875, scandalized the public with its tale of a proud, lusty Andalusian protagonist torn between an army officer and a toreador.
During his travels in Spain in 1879, Sargent was mulling over a major work of art in which he could express his love of Romani music, dance, and picturesque costumes. On his return to Paris, he set to work on a wide horizontal picture whose proportions simulated the shallow stage space of popular musical establishments. He named the painting El Jaleo to suggest the name of a dance, the jaleo de jerez, while counting on the broader definition of jaleo,which includes ruckus or hubbub. The painting was exhibited at the Paris Salon of 1882 with the more explicit title El Jaleo: Danse des gitanes (Dance of the Gypsies).
100% Polyester
Machine Washable
El Jaleo Silk Scarf
$160.00
El Jaleo
1882
John Singer Sargent, American, 1856-1925
Images like El Jaleo lean toward the daring, risky, unconventional, dramatic, erotically off-center, and odd. Because nomadic groups were believed to ignore ethical principles and exalted superstition over orthodox religion, they endured oppression in numerous countries during the nineteenth century, but artists and bohemians idealized them as free spirits. Bizet's opera Carmen, first performed in Paris in 1875, scandalized the public with its tale of a proud, lusty Andalusian protagonist torn between an army officer and a toreador.
During his travels in Spain in 1879, Sargent was mulling over a major work of art in which he could express his love of Romani music, dance, and picturesque costumes. On his return to Paris, he set to work on a wide horizontal picture whose proportions simulated the shallow stage space of popular musical establishments. He named the painting El Jaleo to suggest the name of a dance, the jaleo de jerez, while counting on the broader definition of jaleo,which includes ruckus or hubbub. The painting was exhibited at the Paris Salon of 1882 with the more explicit title El Jaleo: Danse des gitanes (Dance of the Gypsies).
100% Silk
El Jaleo Framed Postcard
$42.00
El Jaleo
1882
John Singer Sargent, American, 1856-1925
Images like El Jaleo lean toward the daring, risky, unconventional, dramatic, erotically off-center, and odd. Because nomadic groups were believed to ignore ethical principles and exalted superstition over orthodox religion, they endured oppression in numerous countries during the nineteenth century, but artists and bohemians idealized them as free spirits. Bizet's opera Carmen, first performed in Paris in 1875, scandalized the public with its tale of a proud, lusty Andalusian protagonist torn between an army officer and a toreador.
During his travels in Spain in 1879, Sargent was mulling over a major work of art in which he could express his love of Romani music, dance, and picturesque costumes. On his return to Paris, he set to work on a wide horizontal picture whose proportions simulated the shallow stage space of popular musical establishments. He named the painting El Jaleo to suggest the name of a dance, the jaleo de jerez, while counting on the broader definition of jaleo, which includes ruckus or hubbub. The painting was exhibited at the Paris Salon of 1882 with the more explicit title El Jaleo: Danse des gitanes (Dance of the Gypsies).
The best evidence of his own excited reactions to live dance performances can be found in the pencil sketches of a Spanish woman that he included in an album assembled for Isabella Stewart Gardner. They are among his fastest, most intuitive works. In one drawing, a torrent of fast hard lines suggests the twisting shawl from which a majestic neck and outstretched vamping arms emerge.
Framed postcard measures 6.3" x 8.5" x 1"
El Jaleo Foldable Tote
$18.95
El Jaleo1882
John Singer Sargent, American, 1856 - 1925
During his travels in Spain in 1879, John Singer Sargent was mulling over a major work of art in which he could express his love of Gypsy music, dance, and picturesque costumes. On his return to Paris he set to work on a wide horizontal picture whose proportions simulated the shallow stage space of popular musical establishments. He named the painting El Jaleo to suggest the name of a dance, the jaleo de jerez, while counting on the broader meaning jaleo, which means ruckus or hubbub.
The painting was exhibited at the Paris Salon of 1882 with the more explicit title El Jaleo: Danse des gitanes (Dance of the Gypsies). The painting was purchased by American businessman and diplomat T. Jefferson Coolidge in 1882, and was given to Mrs. Gardner as a gift in 1914. Then, as now, El Jaleo resides in the Spanish Cloister of the Gardner Museum, just off the famous Courtyard.
These shopper totes feature fan-favorite artwork from the Gardner Museum. Sturdy and lightweight, these totes are perfect for an impromptu shopping adventure. When folded into the included carry bag, the tote is easily store in a jacket pocket or purse.
Tote measures 16" x 26" with 9.5" handle drop
Tote pouch measures 4.5" x 4.5"
Made of polyester
El Jaleo Patch
$9.50
El Jaleo
1882
John Singer Sargent, American, 1856 - 1925
Use this patch on your favorite t-shirt, bag or pants and show off your favorite Gardner Museum painting!
3.25 x 2.50 inchesFabric patch with iron-on backing
El Jaleo Pencil Sharpener
$7.95
During his travels in Spain in 1879, Sargent was mulling over a major work of art in which he could express his love of Romani music, dance, and picturesque costumes. On his return to Paris, he set to work on a wide horizontal picture whose proportions simulated the shallow stage space of popular musical establishments. He named the painting El Jaleo to suggest the name of a dance, the jaleo de jerez, while counting on the broader definition of jaleo, which includes ruckus or hubbub.
This travel-size pencil sharpener features the painting El Jaleo by John Singer Sargent and sharpens both standard and larger pencils.
2.24 x 1.81 x 1.81 inches
Fleece Throw: El Jaleo
$84.95
John Singer Sargent, American, 1856-1925
The idea for this dramatic installation dates from 1914, when Gardner decided to remodel this side of the museum. She replaced the two-story music room that originally occupied this space with three galleries on the first floor (the Spanish Chapel, Spanish Cloister, and Chinese Loggia) and the spacious Tapestry Room on the second floor. Remarkably, El Jaleo didn’t even belong to Gardner at this point—it was owned by her relative through marriage, T. Jefferson Coolidge. When Coolidge saw the extraordinary custom-made setting, he apparently gave her the painting on the spot.
This throw features Sargent's El Jaleo, located in the Spanish Cloister of the Museum. The lap blanket's outside displays a phenomenally clear reproduction of Sargent's painting on plush silk-touch microfiber fleece and a Sherpa fleece underside.
Measures approximately 4 x 5 feet
Made in the US
© 2024 Gift at the Gardner.
