{"title":"Collection Spotlight: Self-Portrait, Age 23","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eRembrandt van Rijn (Leyden, 1606 - 1669, Amsterdam), \u003cem\u003eSelf-Portrait, Age 23\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003e, 1629. \u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eOil on oak panel. Isabella Stewart Gardner Museum, Boston.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003eRembrandt produced more self-portraits than any other painter in the history of European art; more than eighty of them survive. In this image, the young Rembrandt evokes an extraordinary range of textures, from the gauzy silk of the scarf to the downy feather of the cap.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe demand for Rembrandt paintings in Gilded Age America surpassed that of any old master painter. Few collectors managed to acquire one, let alone four (when Isabella Stewart Gardner purchased the \u003cem\u003eLandscape with Obelisk\u003c\/em\u003e, now attributed to Govaert Flinck, she believed it too was by Rembrandt). According to the museum’s first director Morris Carter, this was the first painting that Gardner purchased with “the intention of developing a real museum collection.” Having acquired this painting, which Bernard Berenson described as “one of the most precious pictures in existence,” all future purchases would need to match not only its extraordinary artistic quality but also its aristocratic provenance. \u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","products":[{"product_id":"self-portrait-aged-23-magnet","title":"Self-Portrait, Aged 23 Magnet","description":"\u003cp\u003eRembrandt’s self-portraits, made throughout his long career, served many different purposes, and in these explorations of his own face and personality remain elusive in many ways. This is one of his first painted self-portraits, and unlike most of the earlier ones, it is not a study of expression or emotion. Indeed, the face, though beautifully lit with evocative shadows, is almost expressionless. The painting is all about costume: the plumed cap, silk scarf, and jacket suggest that this might be an elegant sitter, perhaps even an historic personage. The painting is large and carefully finished, almost as though it were a demonstration piece. In 1629, Rembrandt had not yet received any portrait commissions, so this work might have been done to show off his talents. \u003cbr\u003e\u003cbr\u003eOn the other hand, by 1629, the twenty-three-year-old artist had already begun to attract critical attention. Self-portraits were a desirable collectible for sophisticated connoisseurs, especially since Rembrandt here wears a golden chain, which indicates the status or nobility of the painter’s profession, although he had not received any such decoration.\u003cbr\u003e\u003cbr\u003eMeasures 3.5\" x 2.5\"\u003cbr\u003eMade in the USA\u003cbr\u003e\u003cspan\u003eMagnet shown on backer card packaging\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eRembrandt van Rijn (Leyden, 1606 - 1669, Amsterdam), \u003cem\u003eSelf-Portrait, Aged 23, \u003c\/em\u003e1629. Oil on oak panel. Isabella Stewart Gardner Museum, Boston.\u003cbr\u003e\u003c\/p\u003e","brand":"MSP","offers":[{"title":"Default Title","offer_id":190617255980,"sku":"5281","price":7.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/files\/rem1.png?v=1743805556"},{"product_id":"stealing-rembrandts","title":"Stealing Rembrandts","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eA spellbinding journey into the high-stakes world of art theft\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eToday, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. The masterpieces of Rembrandt van Rijn are some of the most frequently targeted.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eStealing Rembrandts\u003c\/i\u003e, art security expert and the Gardner's Head of Security Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston, Worcester to Ohio - the authors track daring entries and escapes from the world's most renowned museums.\u003cbr\u003e\u003cbr\u003eThere are robbers who coolly walk off with multi million dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence. They also show how museums are thwarted in their ability to pursue the thieves - even going so far as to conduct investigations on their own, far away from the maddening crowd of police intervention, sparing no expense to save the priceless masterpieces.\u003cbr\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003ci\u003eStealing Rembrandts\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eis an exhilarating, one-of-a-kind look at the black market of art theft, and how it compromises some of the greatest treasures the world has ever known.\u003cbr\u003e\u003cbr\u003eBy \u003ca href=\"https:\/\/gift.gardnermuseum.org\/search?type=product\u0026amp;q=anthony+amore\" title=\"Books by Anthony Amore\" data-mce-fragment=\"1\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eAnthony M. Amore\u003c\/a\u003e, Head of Security at the Isabella Stewart Gardner Museum, and Tom Mashberg\u003cbr\u003e272 pages\u003cbr\u003ePublished by St. Martin's Griffin, 2012\u003cbr\u003eSoftcover\u003cbr\u003e6.2 x 0.8 x 9.2 inches\u003c\/p\u003e","brand":"Macmillan (MPS)","offers":[{"title":"Default Title","offer_id":11702368174124,"sku":"6580","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/files\/9780230339903_45244.jpg?v=1765477243"},{"product_id":"young-rembrandt-ornament","title":"Young Rembrandt Ornament","description":"\u003cp\u003eThis ornament of a young Rembrandt is based on his \u003ca href=\"https:\/\/www.gardnermuseum.org\/experience\/collection\/10955\" target=\"_blank\"\u003eself-portrait\u003c\/a\u003e that hangs in the Dutch room. Purchased by Isabella in 1896, this painting is said by our first director, Morris Carter, to be the first that she acquired with “the intention of developing a real museum collection.” \u003cbr\u003e\u003cbr\u003eMuch like the portrait from which the ornament originates, this figure of a twenty-three-year-old Rembrandt is \u003cspan\u003eall about the costume: the plumed cap, silk scarf, and gold necklace will stand out on your Christmas tree!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOrnaments of other subjects, artists, authors, and notable figures inspired by Isabella and the Museum also available\u003c\/span\u003e. Complete your collection of Gardner Museum-exclusive ornaments with \u003cem\u003e\u003c\/em\u003eYoung Rembrandt!\u003cbr\u003e\u003cbr\u003eRembrandt van Rijn (Leyden, 1606 - 1669, Amsterdam), \u003cem\u003eSelf-Portrait, Age 23\u003c\/em\u003e, 1629. Oil on oak panel. Isabella Stewart Gardner Museum, Boston.\u003cbr\u003e\u003c\/p\u003e","brand":"St. Nicolas","offers":[{"title":"Default Title","offer_id":11929459785772,"sku":"104321","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/products\/rembrandt_ac29fd03-2f0e-4a1d-97ce-49a1075ba74d.jpg?v=1743813013"},{"product_id":"rembrandt-self-portrait-silk-s","title":"Rembrandt Self-Portrait Silk Scarf","description":"\u003cp\u003e\u003cspan\u003eRembrandt’s self-portraits, made throughout his long career, served many different purposes, and in these explorations of his own face and personality remain elusive in many ways. This is one of his first painted self-portraits, and unlike most of the earlier ones, it is not a study of expression or emotion. Indeed, the face, though beautifully lit with evocative shadows, is almost expressionless. The painting is all about costume: the plumed cap, silk scarf, and jacket suggest that this might be an elegant sitter, perhaps even an historic personage. The painting is large and carefully finished, almost as though it were a demonstration piece. In 1629, Rembrandt had not yet received any portrait commissions, so this work might have been done to show off his talents.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOn the other hand, by 1629, the twenty-three-year-old artist had already begun to attract critical attention. Self-portraits were a desirable collectible for sophisticated connoisseurs, especially since Rembrandt here wears a golden chain, which indicates the status or nobility of the painter’s profession, although he had not received any such decoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMeasures 33.5\" x 40\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMade of 100% silk\u003cbr\u003e\u003cbr\u003eRembrandt van Rijn (Leyden, 1606 - 1669, Amsterdam), \u003cem\u003eSelf-Portrait, Age 23\u003c\/em\u003e, 1629. Oil on oak panel. Isabella Stewart Gardner Museum, Boston. \u003c\/span\u003e\u003c\/p\u003e","brand":"Printed Village","offers":[{"title":"Default Title","offer_id":29452517343276,"sku":"105486","price":160.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/products\/PVX590-04_Self_Portrait_Age_23_SILK.jpg?v=1743812577"},{"product_id":"rembrandt-amsterdam-portrait","title":"Rembrandt \u0026 Amsterdam Portraiture, 1590-1670","description":"\u003cp\u003e\u003cspan\u003eHaving inspired fervent study for centuries, Rembrandt and his Dutch Golden Age contemporaries are admired especially for their portraiture, with Rembrandt in particular having captured a liveliness in his subjects that continues to inspire artists today. In the 17th century, there was a significant market demand for portraits among Amsterdam’s upper class; like Rembrandt, painters such as Thomas de Keyser (c. 1596-1667), Frans Hals (c. 1582-1666) and later Bartholomeus van der Helst (1613-70) relied on these commissions for a critical portion of their income and thus created a wealth of paintings depicting various sitters. Helmed by Amsterdam Museum curator Norbert Middelkoop, this 2020 Museo Nacional Thyssen-Bornemisza exhibit presents 20 painted portraits and 20 engravings by Rembrandt and some 60 pieces by his contemporaries in a comprehensive survey that reveals the everlasting quality of these works.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis clothbound volume accompanies the exhibit and includes color reproductions of key pieces as well as research into the stories behind the paintings’ subjects: married couples, craftsmen at work, children, scholars, businessmen, the artists themselves and important group portraits.\u003c\/span\u003e\u003cbr\u003e\u003cb\u003eRembrandt Harmenszoon van Rjin\u003c\/b\u003e\u003cspan\u003e (1606-69), better known by the mononym Rembrandt, was a draftsman, printmaker, art collector and painter whose tremendous output of work helped define the Dutch Golden Age. Although he died in near poverty, Rembrandt is now widely understood as one of the greatest and most-studied artists in the Western canon.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003eWritten by\u003c\/span\u003e Norbert Middelkoop, Dolores Delgado, Claire van den Donk, Sebastien Dudok van Heel, Rudi Ekkart, Maarten Hell, Patrick Larsen, Charles MacKay, Volker Manuth, Tom van der Molen, Judith Noormann, Leonore van Sloten, Marieke de Winkel\u003cbr\u003e264 pages\u003cbr\u003ePublished by Museo Nacional Thyssen-Bornemisza, 2020\u003cbr\u003eHardcover\u003cbr\u003e9.5 x 10.5 inches","brand":"DAP (Ingram)","offers":[{"title":"Default Title","offer_id":35824378216606,"sku":"106652","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/products\/rembrandt-and-amsterdam-portraiture-1590-1670-24.jpg?v=1743809774"},{"product_id":"rembrandt-in-a-red-beret","title":"Rembrandt in a Red Beret: The Vanishings and Reappearances of a Self-Portrait","description":"\u003cp\u003e\u003cspan\u003e\u003cem\u003eRembrandt in a Red Beret: The Vanishings and Reappearances of a Self-Portrait\u003c\/em\u003e follows the fortunes of a fascinating painting along two lines. First is the history of the painting as a precious collector’s object, a story almost too unlikely to be true. In 1823, it was bought by the future King Willem II as one of his first purchases for the greatest collection of paintings ever assembled by a Dutch individual. For nearly a hundred years it remained with his heirs, coming to Weimar. Then, in 1921, it was stolen from the Weimar Museum, to turn up in 1945 in Dayton, Ohio, owned by a man who said he bought it in 1934 from a German sailor on the New York waterfront. \u003cbr\u003e\u003cbr\u003eWhat followed is revealed in this book for the first time, based on declassified U.S. government information. In 1947 the U.S. government seized the Rembrandt under such strict terms that 20 years later, when it wanted to return it to Germany, it was forced to go into legislative and diplomatic gymnastics to do so. Upon its return, an heir to the Weimar title sued for its restitution, and after seven years of one trial after another, she got it. She sold it in 1983 to the private collector who still owns it. Since 1921, it has been on public display only for 10 days in Dayton (1947) and 10 weeks in Washington (1967). \u003cbr\u003e\u003cbr\u003eThe book also traces the critical history of the painting as a Rembrandt. In 1969 his authorship was disputed by Horst Gerson, an opinion that was seconded by the Rembrandt Research Project. Examining all the evidence and arguments, the eminent Rembrandt specialist Gary Schwartz comes to the conclusion that there is no reason not to accept the painting for what it looks like – a self-portrait of the great master, painted by his own hand.\u003cbr\u003e\u003cbr\u003eBy Gary Schwartz\u003cbr\u003e336 pages\u003cbr\u003ePublished by W Books, 2023\u003cbr\u003eHardcover\u003cbr\u003e7.48 x 1.36 x 9.84 inches\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"National Book Network","offers":[{"title":"Default Title","offer_id":42502733496506,"sku":"110387","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/files\/9789462585348_b89d1.jpg?v=1743807397"},{"product_id":"impulse-rembrandt","title":"Impulse Rembrandt","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eThe lasting influence of a master of Dutch painting\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMore than any other artist, the painter Rembrandt developed charisma through the outstanding quality and originality of his works and the organization of his workshop. His pupils and successors continued his style as the Rembrandt brand with an appeal that has remained unbroken to this day. This book poses the question: Why did Rembrandt’s art both affect contemporary painters and attract generations of collectors and present-day viewers?\u003cbr\u003e\u003cbr\u003eThis magnificent volume examines the great master’s remarkable talent for portraying emotions and passions, his sketch-like openness, and his focus on essentials. Further, it explores his ability to pass on the particular features of his painting style while at the same time encouraging the artistic individuality of his pupils. Through some 120 paintings, drawings, and etchings by Rembrandt and his pupils, this book affords fascinating insights into Dutch painting in the seventeenth century.\u003cbr\u003e\u003cbr\u003eEdited by Jan Nicolaisen and Stefan Weppelmann\u003cbr\u003e180 pages\u003cbr\u003ePublished by Hirmer Publishers, 2025\u003cbr\u003eHardcover\u003cbr\u003e8.66 x 1 x 11.02 inches\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The University of Chicago Press (CDC)","offers":[{"title":"Default Title","offer_id":44443659927738,"sku":"111776","price":52.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/files\/9783777443768_b3b92.jpg?v=1781715067"},{"product_id":"the-book-of-esther","title":"The Book of Esther in the Age of Rembrandt","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cspan class=\"a-text-bold\"\u003eAn exploration of how the biblical heroine Queen Esther, a symbol of resilience and a figure of immense popularity, was portrayed in seventeenth-century Dutch art\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the age of Rembrandt van Rijn, the biblical Book of Esther was a popular source of inspiration for diverse communities in the Netherlands, both Jewish and Christian. Traditionally, the Esther story is read annually on the Jewish holiday of Purim. For immigrant Jewish communities living with new freedom in more tolerant Amsterdam, celebrating Purim—notably through finely produced Esther scrolls and theater productions—became a meaningful expression of Jewish culture. For the Dutch, Queen Esther’s heroism came to represent their emerging nation’s identity. Rembrandt and his contemporaries depicted essential scenes of Esther’s story in paintings, prints, drawings, and decorative arts.\u003cbr\u003e \u003cbr\u003eExamining how Esther was represented in art and popular culture in Rembrandt’s time, this beautifully illustrated volume includes essays that discuss the visual culture and ceremonial art of Purim and examine the queen’s status as a heroine in seventeenth-century Netherlands. A postscript reveals Esther’s continued appeal through a close look at work by contemporary American artist Fred Wilson, who reimagines the biblical heroine as the abolitionist Harriet Tubman.\u003cbr\u003e \u003cbr\u003ePublished in association with the Jewish Museum, New York, and the North Carolina Museum of Art, Raleigh.\u003cbr\u003e\u003cbr\u003eExhibition Schedule:\u003cbr\u003e \u003cbr\u003eJewish Museum, New York\u003cbr\u003e(March 7–August 10, 2025)\u003cbr\u003e \u003cbr\u003eNorth Carolina Museum of Art, Raleigh\u003cbr\u003e(September 20, 2025–March 8, 2026)\u003cbr\u003e \u003cbr\u003eIsabella Stewart Gardner Museum, Boston\u003cbr\u003e(July 28, 2026–January 10, 2027)\u003cbr\u003e\u003cbr\u003eBy Abigail Rapoport and Michele L. Frederick\u003cbr\u003e160 pages\u003cbr\u003ePublished by Yale University Press, 2025\u003cbr\u003eHardcover\u003cbr\u003e9.00 x 11.00 in\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"W. W. Norton \u0026 Company","offers":[{"title":"Default Title","offer_id":44810051780794,"sku":"112193","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/files\/9780300279146_9ec84.jpg?v=1746654580"},{"product_id":"rembrandt-foldable-reusable","title":"Rembrandt Self-Portrait Foldable Tote","description":"\u003cdiv\u003eRembrandt produced more self-portraits than any other painter in the history of European art; more than eighty of them survive. In this image, the young Rembrandt evokes an extraordinary range of textures, from the gauzy silk of the scarf to the downy feather of the cap.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe demand for Rembrandt paintings in Gilded Age America surpassed that of any old master painter. Few collectors managed to acquire one, let alone four (when she purchased the Landscape with Obelisk, now attributed to Govaert Flinck, she believed it too was by Rembrandt). According to the museum’s first director Morris Carter, this was the first painting that Gardner purchased with “the intention of developing a real museum collection.” Having acquired this painting, which Bernard Berenson described as “one of the most precious pictures in existence,” all future purchases would need to match not only its extraordinary artistic quality but also its aristocratic provenance. Prior to its arrival in Boston, this painting belonged to several noteworthy English collectors, including the 2nd Duke of Buckingham and the 1st Earl of Dudley. \u003cbr\u003e\u003cbr\u003eThese shopper totes feature fan-favorite artwork from the Gardner Museum. Sturdy and lightweight, these totes are perfect for an impromptu shopping adventure. When folded into the included carry bag, the tote is easily stored in a jacket pocket or purse.\u003cbr\u003e\u003cbr\u003eTote measures 16\" x 26\" with 9.5\" handle drop\u003cbr\u003eTote pouch measures 4.5\" x 4.5\"\u003cbr\u003eMade of polyester\u003cbr\u003e\u003cbr\u003eRembrandt van Rijn (Leyden, 1606 - 1669, Amsterdam), \u003cem\u003eSelf-Portrait, Age 23\u003c\/em\u003e, 1629. Oil on oak panel. Isabella Stewart Gardner Museum, Boston.\u003cbr\u003e\n\u003c\/div\u003e","brand":"ART IS NYC LLC","offers":[{"title":"Default Title","offer_id":44962360721594,"sku":"112332","price":18.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/files\/RemrbandtTote_1.png?v=1760632907"},{"product_id":"rembrandt-self-portrait","title":"Rembrandt's Self-Portrait","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eThis beautiful book takes an in-depth look at Isabella Stewart Gardner’s \u003cem\u003eSelf-Portrait, Age 23\u003c\/em\u003e (1629) by Rembrandt van Rijn and explores her taste for his artistic genius.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eRembrandt’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSelf-Portrait\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewill highlight one of the most important paintings in the Isabella Stewart Gardner Museum’s collection during its moment at the center of a major exhibition. It will accompany the exhibition\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Book of Esther in the Age of Rembrandt\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(co-organized by The Jewish Museum and the North Carolina Museum of Art) at the Isabella Stewart Gardner Museum (August 6, 2026–January 18, 2027) which includes the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSelf-Portrait\u003c\/em\u003e, the only work by Rembrandt not stolen from the Museum in 1990.\u003cbr\u003e\u003cbr\u003eNathaniel Silver, Associate Director and Chief Curator at the Isabella Stewart Gardner Museum, explores Isabella Stewart Gardner’s penchant for Rembrandt and the acquisition of this painting as a turning point in her collecting. He also contributes an extended catalogue entry, placing it within Rembrandt’s practice of self-portraiture throughout his career. Lucia Bay, Associate Painting Conservator at the Isabella Stewart Gardner Museum, addresses Rembrandt’s technique focusing on select details. The book features stunning new photography, as well as a wealth of archival material.\u003cbr\u003e\u003cbr\u003eBy Nathaniel Silver, Associate Director and Chief Curator at the Isabella Stewart Gardner Museum, with contributions from Lucia Bay, Associate Painting Conservator at the Isabella Stewart Gardner Museum\u003cbr\u003e80 pages\u003cbr\u003ePublished by Paul Holberton Publishing, 2026\u003cbr\u003ePaperback\u003cbr\u003e9.33 x 7.63 inches\u003cbr\u003e\u003c\/p\u003e","brand":"Paul Holberton Publishing","offers":[{"title":"Default Title","offer_id":45853172138170,"sku":"113239","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/files\/761627_55751acb078447258df36d959e7b7a07_mv2.avif?v=1778868029"},{"product_id":"rembrandt-the-complete-self-p","title":"Rembrandt. The Complete Self-Portraits","description":"\u003cp\u003e\u003cspan\u003eFew devotees of the form can approach \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eRembrandt Harmenszoon van Rijn\u003c\/span\u003e\u003cspan\u003e’s radical contributions to self-portraiture. Challenging the conventions enshrined by his predecessors, Rembrandt transformed the art into a fully realized medium capable of \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003ecommunicating emotional depth\u003c\/span\u003e\u003cspan\u003e rather than favorably immortalizing one’s likeness in the finest trappings of luxury. With \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003emore than 80 works spanning paintings, etchings, and drawings\u003c\/span\u003e\u003cspan\u003e, the Dutchman’s lifelong practice of self-portraiture functions as a means of \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003econcretizing that which is fleeting\u003c\/span\u003e\u003cspan\u003e. Across four decades, one constant is particularly striking across media and styles—Rembrandt’s dedication to presenting himself from multiple perspectives, \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003ecelebrating the multiplicity of the individual and championing the unfiltered portrayal of emotional expression\u003c\/span\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003eApart from the thematic concerns present within Rembrandt’s suite of self-portraits, the works themselves are rich with \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003etechnical innovation and experimentation\u003c\/span\u003e\u003cspan\u003e. There is an \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eunmistakable humanity present\u003c\/span\u003e\u003cspan\u003e across the entirety of this oeuvre, each expressive brushstroke and obfuscated feature amounting to an \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003eunflinchingly honest characterization of himself\u003c\/span\u003e\u003cspan\u003e, in all his foibles, contrasting states of feeling, and stages of life.\u003cbr\u003e\u003cbr\u003eThis \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003emonograph\u003c\/span\u003e\u003cspan\u003e renders all of Rembrandt’s self-portraits – from his first experimentations at age twenty-two to his final self-portrait painted a year before his death – and stands \u003c\/span\u003e\u003cspan class=\"a-text-bold\"\u003etestament to a life committed to revolutionizing painterly practice both in content and form\u003c\/span\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003eBy Volker Manuth and Marieke de Winkel\u003cbr\u003e191 pages\u003cbr\u003ePublished by Taschen, 2024\u003cbr\u003eHardcover\u003cbr\u003e5.51 x 0.63 x 7.68 inches\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Taschen (Ingram)","offers":[{"title":"Default Title","offer_id":45955438674106,"sku":"113320","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/files\/9783836596671_f0257.jpg?v=1781714839"},{"product_id":"brush-with-greatness-rembrand","title":"Brush With Greatness: Rembrandt van Rijn","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003eLearn about the life and art of the 17th century artist Rembrandt Van Rijn as told through the eyes of his (fictitious) young student, Mariska!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMariska learns that Rembrandt attended a Latin school as a boy, where he learned about the Bible, and how these lessons influenced many of his works. He shares that his mastery in creating light in his painting was learned from his first teacher and that his largest painting depicting men preparing for battle was 12 feet wide by 14 feet wide. She also learns that Rembrandt created etchings of his works so he could print many copies of his drawings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBeautiful chronologically arranged reproductions of many of his early works and most famous paintings and etchings are featured throughout the book, plus further reading and website recommendations, maps, a glossary, and an index. \u003cbr\u003e\u003cbr\u003eBy Amie Jane Leavitt\u003cbr\u003e32 pages\u003cbr\u003ePublished by Curious Fox Books, 2025\u003cbr\u003ePaperback\u003cbr\u003e7.5 x 0.11 x 9.5 inches\u003cbr\u003eRecommended for ages 5-8\u003c\/span\u003e\u003c\/p\u003e","brand":"Fox Chapel Publishing","offers":[{"title":"Default Title","offer_id":46000039985338,"sku":"113324","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/files\/9798890941640_795c9.jpg?v=1781714546"},{"product_id":"rembrandt-playing-cards","title":"Rembrandt Playing Cards","description":"\u003cp\u003e\u003cspan\u003eThis set of 55 cards features the work of Dutch artist Rembrandt Harmenszoon van Rijn. Each card is decorated with a different image.\u003cbr\u003e\u003cbr\u003eCards measure 2.48\" x 3.46\"\u003c\/span\u003e\u003c\/p\u003e","brand":"Autruche","offers":[{"title":"Default Title","offer_id":46000040018106,"sku":"113325","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2654\/4574\/files\/b3bb23ed8a52b49a41ffb33dd0aa7de428180e2e4961897497d9823f2bcc8519.webp?v=1781714102"}],"url":"https:\/\/gift.gardnermuseum.org\/collections\/collection-spotlight-self-portrait-age-23.oembed","provider":"Gift at the Gardner","version":"1.0","type":"link"}